My Origin Story

I didn’t set out to become an author. I set out to handle life, which turned out to be a full-time job with terrible management and no instruction manual.

Meanwhile, stories kept showing up uninvited.

They arrived as strange ideas, impossible scenarios, half-formed characters, and questions that refused to leave me alone. What if a goblin moved into a suburban neighborhood? What if a haunted house had emotional baggage? What if a superhero was completely useless? What if two scientists fell in love while trying to understand the universe?

Most people would probably have these thoughts and then continue folding laundry.

I wrote books.

A lot of books.

More than thirty of them in less than two years, which is either evidence of remarkable dedication or a symptom that should probably be discussed with a medical professional.

Along the way, life threw a few plot twists of its own.

There were victories and setbacks. There were moments when everything seemed to be working and moments when it felt like the universe had accidentally misplaced the instruction manual. There was even a traumatic brain injury that changed my life overnight and forced me to rethink who I was, who I wanted to become, and how to keep moving forward when the road suddenly looked nothing like the map I’d been following.

That experience taught me something important.

Nothing is guaranteed.

Not time.

Not health.

Not tomorrow.

If you’re going to create something, create it now.

So I did.

I built an independent publishing company. I learned cover design, formatting, marketing, websites, advertising, crowdfunding, and approximately eight hundred other skills that nobody warns you you’ll need when you decide to become an author.

I made mistakes.

Spectacular mistakes.

The kind of mistakes that make excellent stories later.

And through it all, I kept writing.

Some of my books are romantic. Some are emotional. Some are strange. Some are deeply weird. A few are all of those things simultaneously.

What connects them isn’t genre.

It’s curiosity.

I’m fascinated by people. By relationships. By the ridiculous ways we stumble through life trying to find meaning, connection, love, purpose, or at the very least a reasonably functional coping mechanism.

That’s why my stories are often funny.

Not because life is easy.

Because life is hard.

Humor is how we survive it.

Today, I write from Colorado, where I live with my husband, my family, an ever-growing collection of story ideas, and what I can only assume is a permanent state of creative chaos.

I publish through Grayschens Press. I write books that range from heartfelt to hilarious, romantic to ridiculous, and occasionally all of the above at once.

Mostly, though, I tell stories for people who feel a little out of place in the world.

People who appreciate intelligence without pretension.

People who believe that wonder and absurdity can comfortably occupy the same sentence.

People who aren’t afraid to laugh at themselves.

Because if I’ve learned anything from this journey, it’s that life is far too strange to take seriously all the time.

The stories we tell—and the ones we choose to laugh through—are often what carry us across the strangest chapters.

And in the end, the weirdest stories are usually the true ones, which means reality has been quietly outdoing fiction all along.

Leave a comment

A Dark and Dangerous Romance

Like other reviewers have pointed out, The Ledger’s Shadows isn’t a book I would usually pick up myself. Dark billionaire romances, with their brooding, morally gray protagonists and themes of power and control, aren’t usually my cup of tea. However, since I’m intimately familiar with the author’s debut novel, The Forbidden, and appreciate L.T. Autumn’s writing style, I decided to approach this sequel with a touch of curiosity.

What happened next surprised me, consuming me completely.

Right from the opening pages, the novel grabs your attention with a strong narrative voice, immersing you in a world filled with tension and emotional highs and lows. The relationship between Samantha Hayes and Aiden Hunt at the heart of the story is intense, unpredictable, and utterly fascinating. Their interactions are layered with unspoken conflict and desire, creating a constant sense of anticipation that keeps the story moving.

Aiden is the classic antihero—calm, calculating, and at times, tough to read. But beneath his tough exterior, there’s a hint of vulnerability that adds depth to his character and makes his role more complex. On the other hand, Samantha comes across as a strong, proactive character who refuses to be pushed into the periphery. Her quest for the truth about The Ledger and her growing involvement with Aiden add a dynamic tension that underscores the novel’s core conflict.

One of the most striking aspects is the emotional grounding that keeps the story relatable. Despite the setting of wealth, secrecy, and corporate power, the novel explores a universal theme—the desire to be seen and fully accepted. This sincerity gives the story depth, elevating it beyond typical genre boundaries.

The characters are also notably nuanced. Instead of clear-cut heroes and villains, the story embraces moral gray areas, with characters operating in shades of complexity that make the narrative feel darker and more authentic.

One of my only critiques is that I believe a bit more emotional fallout or lingering consequences would have added an even bigger impact to the ending. That said, this still remains a significantly compelling read and deserving of all the stars.

For anyone into morally complex characters, intricate power plays, and emotionally rich stories, The Ledger’s Shadows delivers a well-crafted and inspired experience. I thoroughly enjoyed this book and unequivocally recommend it.

Follow L. T. Autumn here.

Leave a comment

My thoughts on the acceptable usage of AI in creating content

A few months ago, the New York Times reported: Shy Girl appears to be the first commercial novel from a major publishing house to pulled based on evidence of AI use.*

Which raises the question—what level of AI use is acceptable for creative writing?

From my perspective, the boundaries of acceptable AI use in creative writing are clear. I believe utilizing AI to develop a story outlines is entirely permissible, as it helps organize ideas and structure the narrative. Similarly, employing AI for editing and proofreading ensures clarity and correctness without compromising the author’s voice.

I frequently rely on AI to rate and review my stories, seeking constructive suggestions for improvement. This collaborative approach not only streamlines revisions but also elevates the quality of my content.

 Ultimately, I feel that employing AI offers significant advantages by delivering timely information and facilitating thoughtful feedback throughout the creative journey.

Conducting research for a story or book with the assistance of AI is both efficient and practical, providing quick access to relevant information and supporting the writing process.

In the past month alone, I’ve asked AI about the typical temperature in Providence, Rhode Island, and if there’s a unique British term for refrigerator, as well as the atmosphere of the Distillery District in Toronto. Oh, and how a proper Victorian-era lady would curse (because you know she’s not dropping an f-bomb even though you really, really want her to).

I’ll also admit that I create practically all of my images using various AI tools. I mean, how else am I supposed to make book covers, pictures, and other pretty things? I’m not a graphic designer, nor can I afford to hire one!

So are the things I’ve listed above considered “acceptable” use cases?

I certainly think so but would the majority of folks who write for a living agree? Frankly, I don’t care either way because much like the idea of writing is deeply personal, so too is the way in which we actually do it.

I liken it to choosing how you physically create your work. Some writers take a purist approach—tap, tap, tapping out a manuscript on a manual typewriter—while others draft on desktops, laptops, or, like myself, even a purple iPad mini. The tool doesn’t make the writing more or less authentic; the author does.

Perhaps a better analogy would be to think of AI like a sous-chef: it can suggest ingredients, rearrange recipes, and offer shortcuts, but the head chef—the writer—still decides the menu, the flavor, and the final dish.

I fully recognize that others may set their boundaries differently, perhaps allowing AI a more active role in the creative process or restricting its use even further. The key, I believe, lies in each writer’s comfort with technology and respect for their own creative integrity—striking a balance that supports inspiration without overshadowing the unique voice and vision that make storytelling truly personal.

And personally, I don’t mind reading content created with artificial intelligence, and here’s why—because there’s always someone behind the scenes providing the AI with the information needed to craft the work. Somewhere, a human has contributed ideas for creating a specific story. If the story itself is good, I don’t really mind how it was made. That said, I want to be very clear: it’s never okay to let AI handle all your content and then claim it was entirely written by you.

As AI reshapes the creative landscape, writers should remain clear about their intentions and desired outcomes. New tools can bring fresh perspectives and speed, but grounding your work in personal expression keeps the story’s core genuine.

By deliberately deciding when and how to collaborate with AI, you can protect narrative authenticity while still leveraging technology—letting creativity and innovation enhance each other.

* I’m not normally a conspiracy theorist, and I fully understand this is me being a bit cynical, but what if this is all just a marketing stunt to drum up interest in the book? I’d love to read this story now, whereas before the scandal, I probably wouldn’t have been bothered. And I’m sure I’m not alone in that there are plenty of other folks who probably feel the same!

Yes, it comes at a cost to the author, but it’s almost guaranteed to be a bestseller, which equals a lot of money for the publisher, as well as the writer. To be sure, neither would ever admit to doing anything like this, but it’s not like it is an impossible scenario. Something to consider.

Leave a comment

This is pretty great!

This is by far the BEST review I’ve ever gotten in all of the reviews I’ve ever received. It makes me feel seen and heard and I love it.

https://www.bookbub.com/reviews/856387023?source=link_share

Leave a comment

Something to Think About

Taken from Shadan Capri’s novel, The Red Movement,

”There is a 1 in 400 trillion chance of you being born. The meaning behind this statistic is multi-dimensional. It includes the chance of your grandparents meeting one another and having your Mother and Father independently who go on and later meet and give birth to you. The chance of your parents finding and creating you are astronomical given that there are 6 6 billion people in this world and the number of people each person meets throughout their lifetime is incredibly high. Yet, your parents had you and the statistical chance of that happening given the circumstances you were born into is 1 in 400 trillion. This shows that you are no accident. The world created you for a reason. Yet, most people never realize the miracle that is their life or the purpose behind it.”

Leave a comment